To be fair, i believe aven is 14 in this book, so for the most part, it makes sense. She let her feelings sway her, she made promises she probably couldnt really keep, and she endangered Ren because of these promises. I cant say that I didnt want to throttle her when she asked Ren to save the people when she knew the mission is dangerous, it was like expecting your sister to give up her life for others, it just didnt seem fair. Overall, i did enjoy this one. I wished it came out quicker than it did, it seemed like a long time to wait for this sequel. I did find it worth.
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This book also happens to be from the point of view of aven and Ren together, but it was easy to follow. The romance does take a bit of a back seat in this book, but thats okay, i did not mind it much. Do i wish there was more? Of course standard data i do, i always. But, i enjoyed continue to watch Ren develop into the person she becomes at the end of the book. I enjoyed the action and the adventure, and it felt a bit final, so i am guessing this was only meant to be a duology. Sure, there were still moments that made me angry, but the tear jerking moments, and some heartwarming scenes, definitely balances the book out. I did have a hard time with aven at some parts. She did remind me a bit of Ren from the last book. A bit reckless, and a total kid when it comes to not getting things her way.
With the ward in desperate need of freshwater and wracked by disease—and deadly enemies at every turn—the sisters face a dangerous journey, marred by mysterious secrets and horrifying truths, to save their friends and neighbors, and a city. It feels like forever since the first book came out, but imagine my joy when I finally saw the announcement of the sequel that it felt like i have been waiting for forever for. I almost wished I re-read the first book to brush up on what it left off because The Isle starts shortly after the events of the first and when it takes off, it really takes off. I found the second book of the series to be pretty faced paced, because before i knew it, i have devoured it in no time. It sets the tone from page one, and it pretty much for the most part, sticks. I warmed up to ren a bit more. She is still juan pretty reckless, but i admired her dedication to the people she loves and cares for as well as the lengths she would go to keep them safe, even if the price is her own safety most of the time. I loved the sibling relationship that is going on between aven and Ren, how true to form.
The ward is in trouble—its streets filled with seawater after a devastating flood and its impoverished inhabitants suffering from a deadly disease called the Blight. Ren, with the help of her filsafat scientist friend, callum, and her racing buddy, derek, has discovered a cure—miraculous spring water—administering it to her sick sister, aven. But when aven is kidnapped by governor Voss, the malevolent dictator of the United Metro Isles (umi ren must go on a dangerous mission to save her sister, again. The mysterious healing water is the only source of freshwater throughout the entire umi—water that Ren had been tasked by the government to discover. Although she refuses to give up the waters location, governor Voss short has his own selfish reasons for wanting. And he will do anything to satisfy his thirst for unquenchable power. But Ren and aven have more enemies than the governor. An ancient order, the tètai, has been guarding the magical water for hundreds of years. And they will kill to protect.
The Isle (The ward, 2) by, jordana Frankel, series: The ward 2, published. Katherine tegen books on January 19th 2016, genres: young Adult, dystopia, pages: 384, format: Hardcover. Source: Publisher, buy on Amazon, rating: I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review. The heart-racing and thrilling sequel. The ward about a teenage female drag racer who will do anything to save her sister—and a flooded futuristic Manhattan. Drought season is coming.
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Suspicion towards the "obvious" seems a relatively recent phenomenon. People complain about convenient coincidences, obvious plots, etc. Sometimes these criticisms are valid. But sometimes, all you need is a really strong set-up, no matter how obvious, and then let the action swing into motion. The riverbed may have changed, but it's so much fun flailing your way to the other side).
As a teenager (after we had moved to an acreage outside of Calgary, alberta i used to go out by myself on cold and clear winter nights with binoculars to observe the moon and stars and listen for rainy coyotes. Reading this lovely little gem of a picture book (and looking at the snowy and peaceful illustrations) gives a similar sensation, cold, yet warm all the same, silent, mysterious, where every sound (and even the very silence) letter is music and the atmosphere pure delight. Both Jane yolen's narrativ as a teenager (after we had moved to an acreage outside of Calgary, alberta i used to go out by myself on cold and clear winter nights with binoculars to observe the moon and stars and listen for coyotes. Both Jane yolen's narrative and John Schoenherr's luminous "winter wonderland" illustrations perfectly, descriptively and caressingly capture the quiet, the peacefulness, the mystery of the winter woods at night, a luminous marriage of text and image (and I can certainly and appreciatively understand how and why. Now these are just my personal feelings and considerations, and i am definitely no zoologist. However, just like deer can easily be blinded by car headlights, i do have to wonder whether owls might not experience something similar if a flashlight were suddenly directed at them (after all, they are mostly nocturnal animals and their eyes are thus suited for. But while this small issue does bother me a bit, otherwise Owl moon is simply loveliness personified, evocative, atmospheric (and a for the most part peaceful, non violent and non interfering way to enjoy the outdoors, to enjoy our feathered friends, simply by observing, watching.
"Night Owls" has all. (Praise must be given, too, to cinematographer. Adrian Correia and editor, grant Surmi, who proceed with certainty and control. Comedy is hard and this team makes it look easy.). Some of the transitions are clunky, with kevin manufacturing a way to keep the conversation going. Those moments might work better onstage, theatre being more forgiving of artifice.
night Owls" would make a great theatre production.) But those are mere hiccups, the script ricocheting between heated arguments and bursts of humor. Kevin and Madeline battle preconceived notions about one another and it's all complicated by the fact that they've already slept together, like, an hour ago. One-act plays often feature obvious set-ups: two wildly different personalities are forced to share space for whatever reason (it doesn't matter and at first they hate each other, and by the end they don't. Acting teachers use obvious set-ups in their classes: ". You're a millionaire, you're a short-order cook, you're trapped in an elevator. " Shakespeare's set-ups were often obvious (with plots lifted from extant sources put a bunch of court-folk into a magical forest for whatever reason (it doesn't matter boundaries dissolve, comedy ensues, love becomes possible.
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The dessay dialogue is snappy and feels spontaneous. He tries to stop her from leaving, and she warns him repeatedly to back off before spraying mace in his eyes. She then feels bad, helping him wash out his eyes as business he moans, ". I'm going to have to wear two eyepatches to work. " She, folding up a wet washcloth, snaps, ". Nobody wears two eyepatches. " And you know, she has a point. As someone who loves screwball—its rat-a-tat dialogue, and the virtuosity required of the performers—it is great to see it so alive and well. Screwball requires timing as steady as a metronome, a talented director who films in a way that doesn't let the rhythm dissipate, not to mention (most importantly) extremely talented actors.
Actors Adam Pally and Rosa salazar, who carry the entire film, are not just game for this kind of material, they feel born. Their dynamic sparks all over the place. They don't just have romantic chemistry, they have that much rarer kind: the chemistry of conversation. Advertisement, kevin is almost hurt that his idol is obviously silver a hypocrite who doesn't practice what he preaches. That sense intensifies over the course of the film, and Madeline is at first exasperated and then infuriated. Like cary Grant in "Bringing Up Baby kevin is a workaholic nerd who has a hard time controlling this ditzy, intelligent dame, until finally, the question of control disappears. 12 hours is a long time. "Night Owls" has many funny moments, broad and subtle. There's a physical gag with a treadmill that is worth the price of admission.
say, cary Grant and, katharine hepburn plunge into the deep river in "Bringing Up Baby hepburn gasping as they swim to shore, ". " Or Hepburn capturing Grant in her butterfly net. Or Grant setting his wet socks on fire. Love is chaos, men and woman are separated by an abyss, and to get to one another they have to leap. But then they find the riverbed's changed and they're in over their heads. Screwballs feature cranky, nerdy men whose dignity is ripped away by wisecracking Dames of mayhem, but somehow the nerds start to like. "Night Owls" has this sensibility running underneath it, the script understands it, and hood knows how to film.
Start to like each other. That's a lot of artifice and coincidence. Charles hood (who co-wrote the script with, seth Goldsmith ) has such a gift letter for capturing the rhythms of conversation as well as slapstick elements (of which "Night Owls" has many) that it doesn't matter. The film has more in common with 1930s screwball (films filled with obvious coincidences) than the more clunky, often-humorless films that pass for "rom-coms" today. When kevin wakes up after sex and can't find her, he walks through the house, calling out, tentatively, ". " he sounds polite and gentlemanly even though it reveals he doesn't know her name. Once he discovers her suicide attempt, he makes her vomit, almost vomiting himself in the process, and then drags her into the shower. When she starts to pass out against the tiled wall, he panics, and starts scooping water out of the flow coming from the showerhead, tossing it on her, a gesture both desperate and feeble. This was the moment when the movie "got".
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"Night Owls" has water a very obvious set-up, established in the first 10 minutes of the film:. Two wasted people, kevin (. Adam Pally ) and Madeline rosa salazar meet in a bar and stumble to her house to have drunken sex. The morning after, kevin finds out, horrified, that the house is not Madeline's house at all, but the house of his boss (and mentor a revered and very married football coach at the local college. Kevin realizes that he has inadvertently broken into his boss' house and had sex in his boss' marital bed. Meanwhile, upstairs, madeline swallows a bottle of pills and nearly overdoses. Kevin, in a panic, calls the Assistant coach who orders kevin not to call 911 (to avoid scandal for the football program) and tells kevin not to the let the girl—who has supposedly been stalking the coach and threatening to go to the press about. Hence: he and Madeline must spend the next 12 hours in that house. Advertisement 12 hours follow, in which the two fight like cats and dogs, play darts, eat food, fight again, but maybe also.